Lily D'Olce’s installations take shape in various types of textile scraps, collected in Europe and in Africa. They occur through a precise modeling of movement, figures and bodies, that spatially reflect internal dialogues around identity and resilience. They are transient and intrepid on the margins of remote, peri-urban environments. In isolation, torn materials find new graphic alignment, wrapped up in shiny, silky fabrics. Each decor is used to suggest restoration and reinvention. Through overlapping, elevating and stacking : slender figures rise as testaments of strength and possibility to personal and collective identities.
Fuite Bleue (I), 2022. Archival inkjet print on baryta paper.
Fuite Bleue (II), 2022. Archival inkjet print on baryta paper.
Ascension Bleue, 2022. Archival inkjet print on baryta paper.
Éruption rose, 2023. Archival inkjet print on baryta paper.
Pedrera (I), 2024. Archival inkjet print on baryta paper.
Caja, 2022. Archival inkjet print on baryta paper.
Essor, 2022. Archival inkjet print on baryta paper.
T, 2024. Archival inkjet print on baryta paper.
Centrale nucléaire (i), 2022. Archival inkjet print on baryta paper.
Estaleiro naval, 2024. Archival inkjet print on baryta paper.
Gold House, 2023. Archival inkjet print on baryta paper.
Estaleiro naval, 2024. Archival inkjet print on baryta paper.
Éoliennes, 2023. Archival inkjet print on baryta paper.
Flower, 2024. Archival inkjet print on baryta paper.
Pedrera (II), 2024. Archival inkjet print on baryta paper.
Estaleiro naval, 2023. Archival inkjet print on baryta paper.
Wires, 2023. Archival inkjet print on baryta paper.
Filet, 2023. Archival inkjet print on baryta paper.
Centrale nucléaire (ii), 2022. Archival inkjet print on baryta paper.
Container, 2022. Archival inkjet print on baryta paper.
Duo, 2023. Archival inkjet print on baryta paper.